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Greenlight · by LiveMind

An idea in. A finished video out. You direct every shot.

One workflow takes an idea all the way to a delivered cut — script, shots, characters, edit. Automated when you want it, hands-on the moment it matters. Built for agencies who have to keep shipping.

Get started See the pipeline

Built by people whose work has shipped for

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Where you are today

Shipping video for clients right now looks like this.

A$1,200–3,000 a month on freelance edits

Before a single variant is tested. Every revision round is another invoice and another two days.

Ten generations for one usable shot

No way to fix the step that's wrong, so you re-roll the whole thing and hope.

The same character, four different faces

No memory between shots means no campaign the client will sign off.

One coherent path from a single idea to a delivered cut.

Greenlight replaces all of that with one path. Competitors sell you a stage; Greenlight sells you the whole route. Run it end to end untouched, or stop at any step and direct it yourself.

1
Script — Start with an idea. Get a script and a board.
Write an idea, upload your own script, or drop in the client brief. Greenlight breaks it into scenes, writes the script, and lays out a shot-by-shot storyboard you can rewrite before a single frame is generated.
2
Cinematography — Describe the shot, or build it yourself.
Most of the time you write the shot and Greenlight makes it. When you — or the client — want full control, open the same shot in a full interactive 3D interface: place the camera, set the lens, block the move. Directing, not just describing.
3
Characters — Cast once. Same face in every shot.
Build a character from references and reuse them across the whole campaign. Clone a real person from footage you own. Wardrobe, age, styling — all consistent, all remembered, all reusable next month.
4
Assets — Change the hat, keep the shot.
Every element is a node you can reach into. Recolour a jacket, swap a product, restyle a set, and regenerate just that shot — the rest of your cut stays exactly where it is. And because every take is kept, the version you already approved is never at risk.
5
Shots — Fix the one shot that's wrong.
Regenerate a single shot without touching the other fourteen. With full version control you can stack alternate takes side by side and pick the one that plays.
6
Previs — Block it in 3D. Shoot it for real.
Drive any shot from its storyboard, block it yourself in the interactive 3D editor (camera, lens, staging), or ask the agent to build the scene for you. Greenlight renders the final shot to match.
7
The cut — A real timeline. Not an export button.
Full non-linear editor in the same workspace. Multi-track, audio, titles. Cut the hero and deliver it without exporting your project into another app to finish the job.
8
Approval — Client approval, made easy.
Invite the client straight into the review session. Notes land directly on the picture at the timecode they mean — no screen-recorded Loom, no email thread, no "the bit near the end, you know the one." Drawn on the frame, answered in the shot.
9
Versions — Every take kept. Nothing ever lost.
Version control on every asset and on the project itself. Compare v3 against v7 side by side, roll back a single shot, or ship the cut the client approved three weeks ago. Append-only — you cannot destroy your own work.
The teardown

We remade a real A$80,000 TVC. It cost A$400 and took an afternoon.

Same board. Same brief. Same 30 seconds. Here's the invoice, side by side.

A$80,000
The way it was made. Crew, talent, location, post. Three revision rounds, two days each. One format — cutdowns billed separately.
6 weeks
Production schedule, brief to delivery.
A$400
The way we remade it. Credits only — no crew, no location. Revisions in the frame, answered the same hour.
1 afternoon
One operator. Finished hero cut, delivered the same day.

One hour, start to finished cut.

No edits, no speed ramps. An idea typed at the top, a delivered 15-second spot at the bottom.

Your first finished cut this afternoon.
Get started No demo. No sales call. Cancel anytime.

Less than one round of revisions.

Published, self-serve, card on file. No demo and no sales call. Every tier is the same full pipeline — the difference is how many credits you get each month, and credits are capped, so you will never get a surprise bill.

Indie

US$49 / month
  • Monthly credits — roughly one finished spot
  • The full pipeline, start to finished cut
  • 1 seat
  • Commercial rights
Get started

Studio

US$149 / month
  • Monthly credits — about 3× Creator
  • The full pipeline, start to finished cut
  • Team collaboration
  • Commercial rights
Get started

Agency

US$499 / month
  • Monthly credits — about 10× Creator
  • The full pipeline, start to finished cut
  • Team collaboration
  • Client review sessions
Get started

What you're replacing.

Freelance editor, monthly variant supply

What it costs now: A$1,200 – A$3,000 a month, before a single variant gets tested.

With Greenlight: ~A$900 / month, all in

One produced TVC or hero spot

What it costs now: A$8,000 – A$80,000, plus a six-week schedule.

With Greenlight: credits only

A revision round

What it costs now: two days and an invoice.

With Greenlight: same hour, no invoice
Need SSO, procurement paperwork or a private deployment?
Talk to us
If you'd rather we made it

LiveMind Studio

Some teams want the tool. Some want the work. A director with twenty years in film — The Lego Movie, Animal Logic, and work delivered for Disney, Pixar and Meta — takes the brief and delivers the finished campaign, made in Greenlight. Fixed price, not day rate. One hero spot plus six cutdowns, or a full campaign with twenty variants.

Talk about a project See pricing

The things agencies actually ask.

How long until I have something I can show a client?
About an hour from signup to a finished, exportable cut — and you don't need to arrive with a script. Type the idea in a sentence and the pipeline takes it from there.
Will the same character look the same in every shot?
Yes — character consistency is built in. Characters are created once and stored per account with references, wardrobe and styling, then reused across shots, across a campaign, and across next month's campaign for the same client.
Can I stop it from doing the automatic thing?
Yes — at every stage. Run the whole pipeline untouched, or take over at the script, the camera, the character, the shot or the cut. Human-in-the-loop is the point of the product, not a setting.
What if I don't have a writer, an editor or a 3D artist?
Whatever your team looks like, Greenlight fills the gaps with virtual experts — script, cinematography, casting, edit. The humans stay the ones shaping it; the gaps just stop being the reason a project doesn't get made.
Which model does it use?
Whichever is best for that shot. Greenlight is model-agnostic and routes per shot, so when a new frontier model ships you get the benefit without changing anything.
Who owns the output?
You do. Commercial rights on every paid tier.
Can my client leave notes without an account?
Yes — share a review link, they draw on the frame and comment at the timecode. No seat required.
Do I need a 3D artist or an ML engineer?
No. If you can direct — if you can say "wider, warmer, hold the cut a beat longer" — you can run it on Monday.

Let your next project get Greenlit.

The full pipeline from day one. Your first finished cut this afternoon. No demo · No sales call · Cancel anytime.

Get started See the pipeline
Greenlight by LiveMind · LiveMind Pty Ltd